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Parnassi musici

(on period instruments)

The period instrument ensemble Parnassi musici, whose origins are in the 2nd violin section of the the Southwest German Radio Symphony Orchestra in Freiburg, confronts its listeners time and time again with the unexpected, both in terms of its superb musical standards as well as its highly imaginative programming.

...be it their search for the roots of Strawinsky's Pulcinella, the trio sonatas by Domenico Gallo (not Pergolesi!) and their acclaimed CD of them, nominated for the Cannes Classical Awards in 2001..

...be it their own transcription of Bach's Goldberg Variations for the 250th anniversary of Bach's death, which allows the listener to forget the harpsichord for awhile and has been labelled "authentic" by the press..

...be it the way they bring back to cities like Vienna and towns like Bad Mergentheim their "own" music (long forgotten by them) and return home with words of commendation "superb, loving attention to detail, passionate.."

...or whether they join forces with tubist and performance artist Klaus Burger under the motto "The Joy of Repetition" to play a seamless program of repetitive baroque forms like the chaconne, passacaglia, folia and ground, alternating with improvisation and reaping comments like "the attraction of opposites" and "a concertant exchange of blows"..

...or their approach to the theme "Women in Music", in which they alternate works by several different 17th century composers based on the same ancient song of mourning ("Madre non mi far monaca" - Mother, don't make me become a nun.) with compositions by Mother Superior Isabella Leonarda - a surprising juxtaposition of the outside world and that within the convent walls..

...or how they turn a normal solo partita by Bach into something "unheard of", in which the performing space plays a role and two violinists are kept busy, occasionally together, without altering a single note.

Accordingly, the group never ceases to amaze experts and their own producer alike with the choice of unknown and underestimated composers for CD productions for the label cpo, often premiere recordings and "encyclopedic" in character. Who had ever heard of the names Philipp Friedrich Buchner, Dietrich Becker, Giovanni Battista Tibaldi, Domenico Gallo, Giovanni Benedetto Platti, or Guiseppe Antonio Brescianello before?

A mixture of the experience they have acquired in modern symphony orchestras playing the most modern music, and their expertise in baroque performance practice, combined with plenty of imagination, daring, and the simple joy of playing brings the pure essence of the music to light.